Mona Vivian

1894 - 1971

Help Solve a Mystery !


A short while ago, we received a request for information on Mona Vivian, a pantomime artiste. The request came from Canada, from relatives who hoped to find out more about her, and her work in Pantomime. Originally we had just one mention of Mona on the site, but further investigation has revealed a lot more information about a lady who starred in pantomime and revue for at least twenty five years, and probably much longer.

This is what we know to date:

Mona Vivian was born Anne Mona Jessie Vivian between April and June 1894 and, contrary to earlier information about her being born in a miner's cottage at Ings road, Wakefield in Yorkshire, her birth was registered in Aston in Warwickshire.

Mona's Mother was called Anne Griffith. She had a sister Margaret Griffith (Roger Toft's Grandmother - Roger is Mona's second cousin), and several other sisters, including Gwendolyn and Edith. Altogether there were three boys and six girls in the family, including Mona's Mother.

Mona's Mother, Anne came from a wealthy family- her Father, Joseph Griffith owed coal mines in Wales, and received a very good education. Joseph's accountant left for Australia, taking with him a considerable sum of the Griffith fortune, and Mona's Grandfather was declared bankrupt.

Anne married a gentleman called Roy Vivian, and apparently when Mona was a young child he abandoned his family. Anne had had no proper training, but she did play the piano, and took Mona around the pubs getting her to sing and dance to make ends meet. Juvenile acts were very popular in the Late Victorian, early Edwardian era.

One of  Anne's sisters, Gwendolyn, married Sir Reginald Brade, and lived on Park Lane in London. They moved in high social circles, and it would seem were not enthralled by Anne and Mona appearing on the stage, and it appears that they  all but lost contact with the family.

Anne persevered with her attempts to make her daughter into a star, and at a very young age succeeded- 'Wee Mona' became a popular attraction in music halls and pierrot shows.

Roger mentions that some of the Griffith ancestors of Mona's are buried in a churchyard in Swansea.

By the time she was four years old she had appeared at the Hippodrome in Wakefield, and by the age of five years old she became very well known as 'Wee Mona'. In the 1901 census she was living in Jesmond, Newcastle upon Tyne aged 7. Subsequently her family moved to Rhyl, in North Wales. Postcards featuring 'Wee Mona' were sold, and several have come to light recently.

Whilst in Rhyl Mona joined a 'Concert Party', a group of entertainers who played the seaside resorts. Mona played her home town of Rhyl , nearby Llandudno, as well as Southport and Blackpool with 'The Gay Virginian's' Concert party.

1905 The Pierrot company Mona joined as 'Wee Mona' was 'Adeler & Sutton's Pierrots'. The company included Whit Cunliffe and Bert Errol, also destined to be stars of the Music Hall. She also appeared with 'Arthur Sutcliffe's Entertainers' at the age of eleven, performing at the end of Llandudno Pier.

1908 'Wee Mona' appears on the bill with the legendary Marie Lloyd, at the Liverpool Empire. Also on the bill were Daisy James, G.W.Hunter, and featuring 'The American Bioscope'. (November 26th and week).

It seems at the tender age of twelve, Mona became Principal girl in pantomime, and at the age of fifteen, Principal boy.


It was Francis Laidler, the impresario who set her on the road to pantomime fame. She first appeared at the Princes Theatre, Bradford for Laidler in the 1911 'Dick Whittington', along with Barbara Babbington, Olive Pursell and Tom Bates, presumably as Principal Boy.

In his book 'Domes of Delight' about the Bradford Alhambra, Peter Holdsworth quotes

'The number of Francis Laidler's pantomime discoveries for whom 'the govenor' provided a first step of loftier things is exceptional… some of the names may not ring a bell today, but they meant much in their time…Mona Vivian was quite a youngster when she first appeared for Laidler…'

See also our article on Francis Laidler.

In 1914 Mona appeared in the revue-play 'The Truth About Me' at the Sheffield Empire. She appeared with the comedians Neil Kenyon and the O'Gorman Brothers. Neil Kenyon was a popular Scots character comedian at the time.

Mona returns to Bradford for the 1914 pantomime, seemingly to have top billing, appearing with Aimee Stewart, Minnie Myrle and Reg Bolton. In 1916 she returns as top of the bill for Laidler in 'Dick Whittington' with Daisy West-Collins, Bob Selvidge and the Brothers Obo.

About this time it seems Mona turned to appearances in Music Hall, and was soon a star turn. She was an excellent dancer, clog dancer, singer and yodeller, and was by now in great demand.

1915 - Mona begins a lengthy tour of the revue 'Good Evening. 'Mona plays a very important part with a verve and abandon which, combined with her girlish charm, appeal to her audience. With her character impressions and her graceful dancing she makes a great success'  (The Stage).


Mona left the show to appear as Principal Boy for Francis Laidler at the Royal Theatre in Leeds in 'Robinson Crusoe'., and rejoined the tour afterwards.She returned to the Prince's Theatre Bradford for the 1916/17 season as Principal Boy in 'Dick Whittington'.

In 'The Lost Theatres of Sheffield ' by Bryen D. Hillerby she is mentioned among the top names of the day:

'Other famous acts of the day were, the beautiful Miss 'happy' Fanny Fields… Go.Won.Go Mohawk, an American who signed all her photographs 'Aboriginally Yours' and not forgetting Miss Mona Vivian, the celebrated singer…'

The following year, in 1917 Mona is Principal Boy in 'Dick Whittington' at the Royal Theatre, Leeds . Following this pantomime she joined the cast of a spectacular revue in London.

'As You Were' opened at the London Pavilion (not the Hippodrome as earlier thought) on the 3rd August 1918 . Presented by C.B Cochran, it starred Alice Delysia and John Humphries, and ran for 434 performances in the West End. The music was by Herman Darewski and Edouard Mathe, with book and lyrics by Arthur Wimperis and was based on the French revue, Plus ça change by 'Rip'

Mona played the part of Ann Hathaway and was described by the press as 'an alluring coquette'. Alice Delysia played the part of Queen Elizabeth and Morris Harvey was Shakespeare. Also in the cast were Hayden Coffin and 'The up and coming Mona Vivian', referred to by the press as 'This Fantastic revue' it featured the hit song 'If you could care', sung by Miss Delysia. Additional cast members included were Daisy Hancox, Clifford Morgan, Leon Morton and Strafford Moss. The show later opened in Broadway in January of 1920, but failed to appeal to American audiences. The cast there appears to be different, so it  would be unlikely that Mona crossed the Atlantic at this point. What is unusual is that she appears in Cinderella in the December of 1918 at the Liverpool Hippodrome for Wylie-Tate, and may have been released early from the West End because of this prior booking.

There is a recording of 'As You Were' on Columbia , (Columbia L1272). On the A side is Daisy Hancox singing 'What Ho, Mr Watteau!' and on the B side Mona Vivian is joined by Leon Moreton and Stafford Moss in the trio 'Fritz'.

You'll also find a recording of 'Two Little Maids From Greece' on YouTube, featuring Mona and Daisy Hancox.

The Following year, in 1919 Mona Vivian appears as Aladdin at the Royal Theatre, Leeds. (This replaces the previous information that Mona appeared as Colin in 'Puss in Boots' at the Royal, Birmingham.)

1919 'Variety Gossip: The Stage November 20th' 'Mona Vivian, who is to be 'Aladdin' in Mr. Francis Laidler's pantomime at Leeds will be heard ther in in a new song from the pen of George Arthurs entitled 'Lena Heinz'. The music is by Arthur Klein.


1919 'Aladdin' at Leeds.


In 1920 she appeared at the Theatre Royal, Birmingham in a review called 'The Passing Show of 1920'. For the pantomime season that year she appeared as Robin in Mother Goose with Georgie Wood, John Humphries, Horace Mills and Fred Whittaker at the Theatre Royal, Birmingham.

By the 1920's Mona Vivian seems to be appearing in revues, either touring on the Wylie-Tate circuit, or at the London Hippodrome in revue. Every year she appears in pantomimes, often for the same organisation. She had recorded for Columbia , and her name appears on several sheet music covers. Among her musical successes were 'I've got the sweetest Girl in Maryland' (1910), 'Iowa' (1920's) and 'There's a Cabin in the pines' and 'I lay me down to Sleep' (1930's)

Mona has also branched out into flying- on a wire at any rate. The following is an interview Mona gave to the 'Pantomime Annual' in the 1920's:

'I had been two years in the same town in pantomime and felt that the third year I must do something different. Said I: 'I will fly!'   I had no idea how, but arrangements were made in due course.

The flying apparatus didn't arrive until the dress rehearsal, and at the first trial the men who held the rope hadn't the foggiest notion what to do. They kept me for quite a time dangling at the end of a wire, knocking at the knees and trying to look as though I'd flown all my life. Then they pulled, and I flew (not gracefully I fear) across the stage. But on the return journey they let go the rope and I went full tilt against the wings, banging my ankles 'some' and getting shaken up tremendously.

I felt a very faint fairy then, but I remember hearing shouts from the front; 'That looks lovely, Mona. Do it again!' The shouters were blissfully unconscious of the fact that stagehands were at that moment trying to 'bring me round'.

However, I was 'brought round' eventually, and for the rest of the pantomime my flights across Buttercup Dell were the nicest part of my work.'

In 1921 Mona was Principal Boy in 'Puss in Boots' at the Palace Theatre, Manchester . She is billed above Billy Merson (famed for his rendition of 'The Spaniard Who Blighted My Life'). It seems Mona has just completed a tour of 'Tropical Fantasia' and has appeared in the West End in 'The Peep Show', at the London Hippodrome. Just prior to Pantomime we think she made an appearance at the Royal Command Performance, on November 25th, in a scene from the Peep Show. The performance was in front of King George V and Queen Mary. Her press release quotes;

'This fine artiste may be said to have been on stage since the cradle, for she has appeared in pantomime since the age of five, as 'Wee Mona'……She has a collection of nearly 1,000 dolls….'

'The Peep Show' at the London Hippodrome starred Leslie Sarony, Stanley Lupino and Mona Vivian. There is a Columbia recording (Columbia 3037) of Mona Vivian singing 'The Kiltie Brigade' on side A, and 'Lena Schmidt' on side B. Interestingly, the book was written by Laurie Wylie, and the music by James W.Tate- so, Wylie-Tate wrote as well as produced and toured their own show. 'The Peep Show' ran for 417 performances.

In 1922 Mona appeared in Pantomime at the Alhambra Theatre in Glasgow in Queen of Hearts with Lupino Lane.

The Elephant and Mona

The Stage reported (31st December 1922)

'A wire was received on Tuesday at the Moss Empires Headquarters from the manager of the Alhambra Glasgow, concerning a slight accident which occurred to Mona Vivian on Monday.


It appears that Miss Vivian visited the Kelvin Grove Circus to be photographed on the back of an Elephant. The flashlight frightened the animal, Causing Miss Vivian to be thrown to the ground. She sustained slight physical damage, but soon pulled herself together again, and, inspite of her unpleasant experience, appeared in the Queen Of Hearts at both performances on Monday'.

In 1923 Mona was touring with Wallace Lupino in a Wylie-Tate review entitled 'Dancing Mad'. One of its appearances was at the Palace Theatre, Manchester in August of that year. This continued to tour in 1924.

In 1924 Mona is Colin the Principal Boy in 'Puss in Boots' at the Liverpool Olympia.

'One of the principal reasons for the success of Puss In Boots is Miss Vivian's winsome personality. She is the idea 'boy'. If you  have enjoyed 'Kentucky, Sure As You're Born' on the wireless, go to the Olympia and hear her sing it, and then decide whether the radio is a serious competitor of the stage' (Liverpool Express January 13th 1925)

The following year, 1925, finds her in Birmingham as Prince Robert of Scotland the Principal Boy in Humpty Dumpty with Wee Georgie Wood and Barry Lupino. At rehearsal she was heard to remark plaintively "It's the first time I've ever had to be Principal Boy without being a hero! To all intents and purposes George is the hero of this show; I only get the girl in the end because he gives her up!"

'She is versatile and vivacious and dances extremely well'. (The Stage).

At the Anniversary Night celebration on Wednesday March 3rd 1926, the last of the great clowns, George Lupino, appeared for the last time on stage in a Harlequinade with Barry Lupino, Mona Vivian, Arthur Conquest and Bernard Dudley. Seventy-three years before, George Lupino had actually been born in a dressing room at the Theatre Royal. He collapsed as he retired from the stage.

In 1926 she is at the Grand Theatre, Leeds as Principal boy in 'Humpty Dumpty', probably the same production as 1925. During the year Mona has toured in 'Oh Patsy', a musical comedy with George Lacy. Lacy was to go on to become one of the greatest dames. It also starred Margery Wyn, Jean Webster, Arthur Lowrie and W.S. Percy.

During the 1920's Mona was in constant employment, and had worked with Wee Georgie Wood (who described her as one of his favourite Pantomime performers of all time), with Billy Merson, Dick Tubb, Lupino Lane, Barry Lupino, Wallace Lupino in various pantomimes and revues.

In 1927 between April and June (now confirmed as Monday May 16th 1927) Mona married Joseph H. Crowther in St Martins in London. Her marriage was registered under both the name Mona and her real name which was Annie M. J. Vivian.

'The Stage' newspaper reported (Thursday 19th May)

'The marriage took place on Monday at a registrars office in the West End of MONA VIVIAN and HILTON CROWTHER.

Miss Vivian is this week at The Bedford with 'Hello Charleston'

We received an email to the site from a researcher called Phillip Southall. He is writing a book on Leeds United Football Club and from what he says, it appeared Mona married Mr J. Hilton Crowther. A Millionaire! He said J Hilton Crowther was the chairman of Leeds United Football Club

He was a  woollen mill owner, along with his four brothers they owned the Milnsbridge Woolen Mill (we assume in Huddersfield, Yorkshire). He and his brother, D. Stoner Crowther were wealthy men. J Hilton put first £27,000 into the Huddersfield Football Club in 1918 or thereabouts, and added a further £18,000. A huge fortune in those days (the British depression was looming). There was a scandal & court cases as he tried to use his financial strength (and naturally the football club could not pay back the debt they owed him) to amalgamate the Huddersfield Football Club with nearby Leeds Football Club. He was Chairman of Leeds United Football Club in 1919. The founder of it, we are guessing.

A Guards officer had asked Mona to marry him, but she had already met Hilton Crowther, the millionaire founder of Leeds football club, a man much older than herself, and possibly she thought that Crowther's wealth would be more durable than the dashing guards officer.

Apparently Crowther insisted that Mona abandon her, by now, glittering stage career upon their marriage, and Mona agreed to this.

The fact that she was appearing in a show a few hours after their wedding did not bode well- if indeed Mona gave up 'the business', it must have been for a very short time, according to her date book of theatre engagements.

A divorce was settled upon with, according to the family history Roger Toft was told, a settlement of one million pounds- a huge sum of money in the 1930's.

Mona's career continued- touring shows, summer seasons and, of course pantomimes, and then, during the war Mona was still touring in morale boosting patriotic shows.

Once again, Mona took to flying- but this time for real. In this age of the flapper, a daring 'hop' across the channel took a lot more courage than flying across Buttercup Dell. Mona recalls her trip in another interview;

'My stage career seems to have been full of thrills. At one time or another, I have fallen down a 'grave-trap', flown into scenery on a wire, and have been stuck in a lift while the stage waited. But two episodes stand out among the rest- one off and the other on the stage.

The first was when, during the run of a London show, some friends arranged a flying party to Paris , leaving early on Sunday and returning for the Monday matinee. We got to Paris all right, but when the time for returning came we heard all sorts of awful tales about air pockets, etc. It was noon when we eventually started, and soon we got lost in the clouds. I suffered agonies in those clouds. Luckily we found a break and came down just in time for me to get up to town and dash on for my cue at the matinee. It was an awfully close shave!

But my most trying time was earlier, in my pierrot days, as Wee Mona. Wearing childish socks, I sat on the stage waiting my turn, trying to keep up a sweet smile and – knowing all the time there was a wasp in my sock! That was a thrill I shall never forget…'

1927 'Humpty Dumpty' at the Prince's Bristol. In the title role, Mona appeared with Dick Evans, Johnnie Schofield and Harry Midgely. Mona sang 'How D'you Do?', 'The Birth Of The Blues' and 'The Doll Dance' in this pantomime.


'They now have the advantage of being cast with a clever Principal Boy in Mona Vivian, who gives promise of attaining the marked success some of her predecessors in that role at this theatre have enjoyed' (The Stage Dec 30th)


1928   'All For Love', a revue. In February the show, starring Mona along with Tommy Lorne and W.S. Percy was at the Brighton Hippodrome.


1929- During August Mona appeared in 'The Show Of Shows' at Blackpool. Co-starring with her was Billy Danvers (They sang a duet 'Lancashire Love') and this Julian Wylie Show also featured Max Miller and The Houston Sisters.


1929 'Hop O' My Thumb', The Opera House, Manchester, produced by John Hart .Mona sang 'The Pretty Little House That Jack Built' and 'Singing In The Rain'. This year she is featured on the front cover of the Pantomime Annual, and has been appearing in pantomimes, it would seem for nearly thirty years, since her 'Wee Mona' days.


We are very grateful to Paul Stevens for submitting this photo - it is from the Princes Theatre, Bristol 1930


UPDATED - In 1930 Mona again starred in 'Hop O' My Thumb' this time at the Grand Theatre in Leeds. The script was written by R.C.Oldham, and produced by T.D.Mills. Mona sang 'Sweeping The Clouds Away' as her opening number, along with 'Punch & Judy', 'Take Your Hats Off To The Navy', and 'It Happened In Monterey', for no apparent reason in the Home Of The Butterflies that closed Act One! In Act Two she sang 'Over The Garden Wall' and the Principal Girl sang the popular ballad 'Dancing With Tears In My Eyes'.


In the year 1931 Mona spent the Summer Season in Douglas , Isle Of Man , where Florrie Forde was an established favourite. She then returned to the New Hippodrome, Darlington .


On the 18th June 1931 the Daily Mail reported that Mona and Hilton had given birth a month earlier to a daughter Pauline.


From Christopher Marsden


On the 24th June 1931 the Daily Mail had to apologise for a false story and that they had been misinformed.


From Christopher Marsden


Mona performed in Goody Two Shows during the 1931/2 season at the Prince's Theatre Manchester.


1932 Pantomime 'Robinson Crusoe' at the Prince's Theatre, Bristol


We have found some information about a song which Mona may, or may not, have recorded but certainly the sheet music was released. It was taken from her shows in 1933 at the North Pier, Blackpool entitled 'On With the Show'.

1934 Summer Season: For Hope & Palmer at the Town Hall Theatre, Clacton with Tommy Trinder, and Rebla. The season opened on July 14th.

In September 1934 Mona was top of the bill in variety at the Shakespeare Theatre Liverpool. Making his 'Liverpool Stage Debut' was Hughie Green and His Gang- a youth variety show within a show.

1934  Pantomime 'Dick Whittington' at The Prince's Theatre Bristol (we had originally thought this to be in Belfast).

Mona's favourite pantomime was 'Aladdin'- she claimed the story had everything-riches, loss of riches, marriage, elopement.. Mona in this pantomime being an only child, sang a Doll song. Norman Quilliam in his article for 'Callboy' magazine remembers that her mother, even when she was starring was a big influence, and was always present assisting in the dressing room.

In his article Quilliam recalls seeing Mona on stage. He describes her- 'One minute she had a demure pensive look and then suddenly one saw an effervescent impish sprite, portrayed by zest and sparkle in her movements plus her expressive looks and shapely legs..'  He continues…'Only once can I remember her not topping the bill, on this occasion being second to Billy Bennett and stealing the show! You will have gathered that Mona was one of my favourites and, in conclusion, all I can suggest is 'Don't say sparkling Champagne , say Mona Vivian'

From Christopher Marsden


In December 1935 it was reported that Mona would not be appearing in Pantomime this season due to Hilton Crowther being ill and would instead be travelling to South America.


1936-. Mona was appearing in variety each week. Dates included

February: The Ilford Super (Cinevariety) & Stratford (with Stewart & Olive and the Three Virginians.) March: Tottenham Palace. April: The Blue Hall, Islington and the Canterbury Music Hall. May: The Chelsea Palace (with Donald Peers) & The Metropolitan (with Bartlett And Ross, and Leon Cortez and His Coster Band). November: The Edgware Road Grand and The Kilburn Theatre.


1936 Red Riding Hood. The Garrick Theatre Southport. A Barrie Baldrick Pantomime. Reg Marcus played Dame Trott, and Jack Murray was Simple Simon. Josie Bellis was the Principal Girl and Pansy Cave-Moore was Red Riding Hood. Mona was Principal boy.


'As bright and vivacious as ever, and in song and dance imparts a freshness which is captivating. Her chief songs are 'Does Your Mother Come From Ireland', 'Mickey Mouse's Birthday', 'When The Poppies Bloom Again' and 'There's A New World'. With Mona Vivian in the leading character the show has a tremendous asset'

(The Stage. December 31st 1936)


1937 'Blackpool Breezes' a Roy Barbour Revue. This commenced a seven month tour starring Mona and Fred Wynne.


'One of the best staged productions of the kind one has come across for some time….The scene of the illuminations at the end of the first half is excellent. There is a Pierrot show, a pleasure beach, a boxing booth and Hector The Horse (Leon & Kiki, skaters).'


Mona appeared in 'Her own full time turn, in which she impersonates film stars is one of the best applauded' (Stage).


By 1938 Mona has moved to London. She presides over the Variety Artistes Ladies Guild and Orphanage. The President of this Guild is Gracie Fields.

From the 27th December 1937 until January 15th 1938 she appeared at the Kings Theatre Southsea as Prince Sterling in Little Red Riding Hood. The Pantomime was produced by W. Barrie Baldrick and G.E. Williams. According to The Stage Review of the 31st Dec 1937 'The Fairy Tale is linked together by thirteen sparkling scenes, which embrace plenty of pantomime fun, novelty acts, some spectacular settings, and a charming snow ballet, which follows a mechanical transformation of Honeysuckle Glen from summer to winter'. The cast included Frances Hughes (Bo-Peep), Irene White (Red Riding Hood), Reg Marcus (Dame Trot), Fred Hovis (Baron Allbroke), Teddy White (Simple Simon), Phyllis and Giles (Speciality Act), Yvonne Zeeta (Fairy Goodheart), The Moyson Sisters (Tommy Tucker and Mary, Mary, Quite Contrary), Jenkin Brothers (Bubble and Squeak), Wilfred Brandon (King of the Wolves), Rodney Hudson Girls and Zeeta Girls. It was directed by Wilfred Brandon and the orchestra was conducted by Arthur King. Mona sang among other numbers 'Gangway' (Made popular by Jessie Mathews)

The Stage says of Mona, 'Mona Vivian, forsaking variety to play principal boy, makes a saucy Prince Sterling and woos Bo-Peep, the belle of the village, in a dashing style. She puts a gay swing into some of the chorus numbers, including the popular 'Gangway' and is also well backed up by the Zeeta Babes, a troupe of clever juvenile dancers, in 'Ten Pretty Girls'. Her versatility is further revealed by some delightful impressions of cinema stars.'

In 1938 she was touring in a review called 'Win Lose or Draw'. It was, apparently, well described on the bills as a sporting revue, and deals mainly with the subject of football. Presented by Lew Lake Jnr. The cast includes Will. R. Willby, Hal Jones and the Caroll Troupe. A few months later she is appearing in 'King Of The Castle', another Lew Lake show along with Eric Cole, Francis Hughes, Hal Jones and Cliffe & Kopie on the Moss Empire Circuit. Dates include the Holborn Empire, Manchester, Birmingham, Croydon and Derby.

1938'Little Red Riding Hood', Lewisham Hippodrome. Mona appears once again for Barrie Baldrick as Prince Sterling. Peter Fannan is Dame Trot and Fred Hovis Simple Simon.


She 'succeeds in portraying Prince Sterling as a young and gallant Prince really should be. Her personality is magnetic and makes itself felt not only on her audience, but by transmitting enthusiasm to the others with whom she works'. (Stage).

In 1939 she was appearing in the show 'This Way Please' which was presented by John D. Robertson. With Johnnie McGregor, Jack Leonard and Al Lewis. Dates include Dublin, Queen's Poplar and the Empress Brixton. Also in the cast are Syd and Max Harrison, Tom Collins and the Avril Twins. Mona was also accredited with some of the book and lyrics.

During the Summer Mona tours in 'Pack Up Your Troubles'. World War Two has commenced, and patriotic revues are the order of the day. The show tours the Moss Empires and Mona 'Shines in 'Down Lambeth Way' and in a versatile display of speciality numbers' (Stage)


From Christopher Marsden


1939 December: It appears that Mona is not in a pantomime this season, but appears in John D. Roberton's 'The Christmas Show' at the Queen's Theatre, Rhyl along with Johnny McGregor Mona sings 'There'll Always Be An England' in this show. She performs this throughout December 1939 and in January 1940 is in the same venue, the show has now become 'New Year Revels'.


1940 'New Year Revels' tours, and then Mona returns to the John D. Roberton revue 'Pack Up Your Troubles'. This tour the cast includes Iris Day, Antoinette et Ninon and Charles Dudley and his Midgets.


In 1942 she was appearing in the review 'The Peep Show' with Fred Gwyn and Patrick Colbert. It was a sparkling Modern Review in Sixteen Scenes.


After Mid 1940 information on Mona Vivian is very sketchy.


NEW - We have been sent this by the daughter of Pat Ayres, who played Cat, from Harrogate in January 1945. A Clarkson Rose Pantomime, presumably touring, but playing for the week at the Royal Hall.



The rest of the cast were Edith McDonald (Spirit), Frank Hughes (Alderman Fitzwarren), Marianne Lee (Alice), Jeff James (Susan the Cook), Stan Hall (Capt. Barnacle), Bert Collins (Emperor), Billy Rich (King Rat) and Roy Hope (Idle Jack).


There is a report in 'The Stage' in October 1946 regarding the Variety Artistes Ladies Guild:


1946 - Mona Vivian presiding received a cheque from the President Gracie Fields for £31,000. This sum of money being the royalties from 'Stage Door Canteen'. Attending that meeting were Mrs Harry Tate Jnr. and Margery Manners.

In 1946 she was appearing in Dick Whittington in Bognor Regis. Presented by Harry Goodson, she appeared as Principal Boy with Denise Hardy (Alice Fitzwarren), Bert Faye (Idle Jack), Jack Morris (Fitzwarren and Emperor), Murphy & Mack (Captain & Mate), Richard Arnold (Cat), Lilian Hendry (Colin), Jean Ward (Ruby), Billy Wells (Cook), William Burnett (King Rat), Joy Holman (Fairy Queen), Vera Hazel (Ballerina) and Michael Nicholas's troupe of dancers and juveniles.

Roger Toft recalls:

 'In 1947, my parents took me to London. We went to see Mona (this was the first time I met her). She was living in Portland Place with her Mother, and had a TV. A pity, since this was the thing that stuck in my infant memory more than anything else!

I was next taken to see Mona when I was roughly 15. She was living somewhere on the South Coast, with a Canadian woman (probably her companion Peggy Strickland?). Mona was dressed and made up as if she were about to step on to the West End stage at any second. I do remember Mona saying she travelled about in a dormobile, which implied the Crowther money had largely gone. Or was that to discourage what she might have thought was a 'potential heirs' gold-digging visit? I do not know. I think her Canadian friend inherited all the money left, which may have been little by that time.'

In 1948 she toured in the review produced by Bernard Goodman 'Peace Comes to Peckham' with Wally Patch.

In 1957 details of Hilton Crowther probate were published - he died on the 24th March 1957

From Christopher Marsden

1969 'Wee' Georgie Wood replies to an enquiry to 'The Stage' that Mona Vivian is 'Well and happy' in her retirement. Later, in early 1971 Wood refers to 'The Late Hilton Crowther', recalling how Mona's husband would often accompany him to football matches at Leeds.

According to "Stage Man's Diary" written by her friend and co-star, "Wee" Georgie Wood, she died on the 9th June, 1971.

"This afternoon brings the sad news that MONA VIVIAN died at noon today in a Leamington Nursing Home. Her devoted friend and companion Peggy Stickney broken-heartedly telephoned me.

Mona Vivian was a Principal Boy and co-starred with me in Philip Rodway's unforgettable Birmingham Theatre Royal productions of "Mother Goose" and "Humpty Dumpty". She appeared with success in revues and pantomimes for Tom Arnold, C.B. Cochran, Francis Laidler and Wylie-Tate, In addition to being an established headliner in variety theatres.

She was vital, vivacious and versatile as a performer, off stage she preferred privacy, always rejecting offers to broadcast in her retirement. In deference to her wishes I'll write no more except that along with Peggy, John (Hearem) and many others we treasure our memories of MONA VIVIAN as a fine artiste who never allowed "The Profession" to be "Show-Off Business".

From Christopher Marsden


Hopefully items on Mona's career, and possibly her family life may come to light, but we hope that someone reading this article may be able to shed more light, or fill in some of the gaps in the career of this fascinating lady. What began as a one-line mention under our 'Principal Girl' section, has now uncovered a lifetime career in the service of Pantomime.

We are grateful to Max Tyler, archivist of the British Music Hall Society for his help in updating the Mona Vivian article, and for the Norman Quilliam article from 'Callboy' in the mid 1980's.

We are very grateful to Alan Garner for the additional information on As You Were.

We are very grateful to David Hartshorne for the information about the Theatre Royal Birmingham, Passing Show and Oh Patsy.

We are very grateful to the University of Bristol Theatre Collection for information about the 1934 Pantomime

We are very grateful to Jacqueline M Hingston who provided us with some fascinating information about Mona's birth, marriage and some information about where she was living during her childhood.

We are very grateful to Phillip Southall for his information on J. Hilton Crowther and the initial marriage information.

We are very grateful to Roger Toft (Mona's Second Cousin) for information about Mona's family, her marriage and subsequent divorce and about a family visit in 1947.

We are very grateful to Christopher Marsden for his information about Mona and Hilton Crowther, including probate information

We have recently been contacted by John Watson, a popular music historian, who started us on the trail of Mona's recording and broadcast career. He supplied us with details of a BBC broadcast from 1934.

Back In Town
Monday 8th October 1934
London Regional BBC
Orchestra (cond. S Kneale Kelly)
Harley and Barker (duet)
Arthur Askey (entertainer)
Mario de Pietro (mandolin and banjo)
Richards and Dunk (entertainers)
Ronald Gourley (siffleur and piano)
Mona Vivian
Robert Naylor and Sylvia Cecil (duets)
C Hayes (comedian)
Ashmoor Burch (baritone)
Kenneth and Graham Western (cabaret artistes)
Davy Burnaby (compere)

This led us on to find some recording details:-

"As You Were", Pavilion 1918 the song "Fritz" on Columbia L1272
From "The Peep Show" Hippodrome 14th April 1921: "The Kiltie Brigade" and "Lena Schmidt" for Columbia 3037
Two Little Bits of Greece (duet with Daisy Hancox) [from "As You Were"] Columbia L-1271


We are very grateful to John Culme of Footlight Notes who has come across a recording of Two Little Bits of Greece, along with further details on 'As You Were' with a photo of Mona with Daisy Hancox. The link for the recording is on the following page

Autograph of G.S. Melvin and Mona Vivian - Date Unknown

We are very grateful to Richard McDonald for the above photo


All information gratefully received on behalf of Mona's relatives, and your intrigued hosts at 

This page was last updated 23rd July 2017

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